He was trained at the Ecole des Beaux-Arts in Bourges. In 2009, he received the Marcel Duchamp Prize where he presented the work Vice de forme: In search of melodies. In 2015, he received the Prix Meurice for the project Das Ende der Welt. His works - performances, texts, sculptures and posters - show an important place for musicality. Art becomes words, music and movement, moving from one art form to another through the intervention of his collaborators.
He has recently been artistic director of the Bergen Assembly 2022 triennial in Bergen, Norway, entitled Yasmine and the Seven Faces of the Heptahedron (September-November 2022). His latest solo exhibitions have been presented at the Michèle Didier Gallery, Paris (2022): The Fountain Archives (Index), at the Antoni Tàpies Foundation, Barcelona (2021): The Fountain Archives and Beyond..., at the Kunsthalle Vienna (2018): This Is Ornamental, and at Wiels, Brussels (2018): Paroles. His work has also been presented at Documenta 12, Kassel (2007) and at the 56th Venice Biennale.
Works from the Collection
Au Hasard Balthazar, 2015
Laocoon (version 2), 2006
Musiques pour Tuyauterie (But I Do), 2018
Noir c'est noir, 2013
On Schneller Angereichert Plays Music by Lyrics, 2015
Parler en langues (Poster), 2016
Pop (Everyday), 2004
Pop (Laocoon), 2005
The Fairytale Recording (Lafayette Anticipations poster), 2019
The Laguna's Tribute, 2015
Vice de Forme : In search of Melodies (Première mesure), 2009