Work from the Collection


Date: 2007
Medium: Sculpture
Materials: Aluminium, Reflective Adhesive
Dimensions: 240 x 390 cm
Collection: Lafayette anticipations - Fonds de dotation Famille Moulin

Drawn from the eponymous series, Brume is an abstract monochrome made from aluminium covered with holographic adhesive. This commonplace material, usually used for road signs, gives the work its iridescent character by sensitizing its surface to the play of light and reflections while opening it up to its environment. Brume reflects and records in an ephemeral way the movements of the visitors of which it delivers a blurred and misty vision in a distant echo of the nineteenth century landscape paintings from which the work borrows its format and its title. The artist’s use of emptiness here also recalls the White Paintings of the American painter Robert Rauschenberg (1925–2008). Through a process of appropriation characteristic of Saâdane Afif’s practice, the road sign is stripped of all signs, giving way to a misty landscape in perpetual transformation that changes according to the viewer.

Text written by Suzana Danilovic as part of the partnership between the École du Louvre and Lafayette Anticipations – Fonds de dotation Famille Moulin.


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