Space Afrika + Blackhaine + NÂR

An evening in the new indoor space of the Station - Gare des Mines, punctuated by a new creation between Space Afrika and Blackhaine never shown in France!
Space Afrika
The duo Space Afrika arrived at a key moment to remind us of the reflexive and activist force that electronic music can (and should) assume. Composed a few days after George Floyd's murder by the police, the piece hybtwibt? (Have You Been Through What I've Been Through?) came to accompany and support the Black Lives Matter movement in the UK.
Honest Labour, released in 2021, is an assemblage of British dub, Detroit techno, dark ambient and acoustic drone music. Steeped in Manchester's cultural heritage, Space Afrika's production blends masterful aesthetics, sonic innovation and an emotional and cerebral approach.

Blackhaine
Blackhaine has succeeded this year in capturing the anguishing collapse of the present times. A sought-after choreographer (he has worked with Mykki Blanco and Kanye West), the UK producer creates post-industrial music bathed in the social realism of the north of England. In the synthetic and dark meanders of his productions, one evolves in a physicality sometimes emaciated, sometimes sublimated, which often evokes a Kafkaesque rereading of the drill.

NÂR
Listening to NÂR's tracks, one rediscovers the evocative power of industrial electronic music. Handcrafted, abrasive, sometimes fragile, the sound work assembled by the Lebanese artist Nadia Daou appears terribly instinctive. On stage, her music takes on the appearance of a leap into the unknown. She assembles live synthetic, hypnotic, dark and sometimes brutal tracks that revive a fundamentally humanist and organic experimental tradition. Now based in Switzerland, her performances and various collaborations have made her a future masterpiece of current experimental music.
Concert
Lafayette Anticipations
Saturday 09 Apr 2022
from 08 pm to 11:30 pm

Book

15€
At la Station Nord - Gare des Mines


Space Afrika + Blackhaine © Frankie Casillo
NÂR

Participants

Manchester UK’s Space Afrika make music of what they term “overlapping moments” –oblique mosaics of dialogue, rhythm, texture, and shadow, half-heard through a buswindow on a rainy night.

Their releases Above The Concrete/Below The Concrete (2014) and Somewhere Decent To Live (2018) were sparse, spacious yet intimate electronic abstractions, partly inspired bytheir observations of industrial landscapes and experiences of life in the North of England.

In 2020, Space Afrika released their most emotionally charged project to date, hybtwibt? (have you been through what i’ve been through?). First recorded for broadcaston NTS Radio before being edited down to a half-hour collage and released a few days laterin the wake of George Floyd’s murder. As Black Lives Matter protests were gatheringmomentum across the U.S. and UK, the Manchester duo’s self-released mixtape capturesthe unrest with intercutting fragments of their own unreleased work. Described as a“dreamlike tapestry”, and hailed by Pitchfork and Bandcamp as one of the best ambientalbums of 2020, sales of the mixtape continue to raise funds for Black Minds Matter UK andthe Stephen Lawrence Charitable Trust in support of the fight for racial equality.

The duo went on to release in the spring of 2021, Untitled (To Describe You), a collaborationwith photographer, filmmaker and poet Tibyan Mahawah Sanoh, generating a living,breathing study of the duo's Northern working-class Black British reality.

In January 2021, they announced their signing to Dais Records. Honest Labour, the duo'sfirst full-length since 2020's landmark "hybtwibt?" mixtape (have you been through whatI’ve been through?) expands the project's palette with classical strings, shimmering guitar,and visionary vocal cameos, leaning further into their enigmatic fusion of ambient unrestand cosmic downtempo. It's a sound both fogged and fragmented, at the axis of songcraftand sound design, born from and for the yearning solitudes of life under lockdown.

Blackhaine is a UK based project operating between Noise and Drill.

With its origins in the static anxiety of 2020, their output focuses on the ‘transition from stomach knotted dread to exhaustive, prang-out negative ecstasy’.

A political act - the live show contains deconstructions of their existing sounds and future releases whilst experimenting with genre convention ranging from ambience to hardcore punk.

Previous releases include And Salford Falls Apart and Armour.

At once confrontational and intimate, Heyes probes the limits of rap machismo, street poetry, experimental dance and, ultimately, what it means to be an artist from a working class background.

He offsets aggression, braggadocio and nihilism with intense vulnerability and unrefined honesty, a dichotomy with which he is able to bring together a dizzying array of influences, from Moor Mother and Playboi Carti to William S. Burroughs and Allen Ginsberg.

Stripping away convention, Blackhaine seeks to replace his own limitations, both physical and emotional, with an armour of a paler shade.

NÂR est une multi-instrumentiste et une chanteuse libanaise.

En constante métamorphose, elle travaille avec divers instruments, sa voix et de nombreux objets qu'elle trouve, modifiés par une chaîne d'effets analogiques et de loopers qu'elle utilise de manière très singulière.

Couche après couche, elle construit et déconstruit chaque pièce, menant souvent ses expériences sonores avec de courtes phrases répétées comme des mantras oscillant entre l'arabe et l'anglais ou des poèmes déclamés par des écrivains tels qu'Allen Ginsberg, Sylvia Plath et d'autres poètes contemporains comme Lydia Lunch.

Abrasive et fragile, la musique de NÂR prend ses racines dans un très large spectre de sons, d'inspirations ou de genres tels que la musique de transe traditionnelle du Moyen-Orient et de l'Afrique du Nord, le minimalisme primitif, l'industriel, le down tempo, les ambiances grime et la musique noise.

Jouant dernièrement avec un set up essentiellement composé d'horloges, de carillons et autres objets métalliques, Daou montre un nouveau visage avec des directions plus radicales dérivant parfois même vers quelque chose que l'on pourrait assimiler à de la musique concrète.