About Xinyi Cheng's exhibition
Saturday 30 Apr 2022 from 3pm to 4:30pm
Free upon registration
This discussion marks the opportunity to delve into the paintings of Xinyi Cheng in the presence of the artist, Dr. Mi You (Professor, University of Kassel / documenta Institute) and Madeleine Planeix-Crocker (associate curator, Lafayette Anticipations).
Cheng studied at the Academy of Arts & Design at Tsinghua University and the Maryland Institute College of Art.
From 2016 to 2017, she participated in the Rijksakademie Residency in the Netherlands, and in 2019 she was the recipient of Art Basel’s Baloise Art Prize.
She was the subject of a major solo exhibition at Hamburger Bahnhof, Berlin (2020) and has also participated in recent group exhibitions at venues including the 13th Shanghai Biennale at Power Station of Art, Shanghai (2021); Bourse de Commerce, Paris (2021); Palais de Tokyo, Paris (2020); Frans Hals Museum, Haarlem, Netherlands (2018).
Mi You is a professor of Art and Economies at the University of Kassel / documenta Institute.
Prior to joining the University of Kassel, she was a research associate in the Art and Media Studies department at the Academy of Media Arts Cologne (2014-2021). She has also held lecturer positions in the Visual Cultures, Curating and Contemporary Art program of the School of Art, Design and Architecture, Aalto University (2019-2020), in the Roaming Academy program of the Dutch Art Institute (2018-2019) and in the Media Art program of the University of the Arts Bremen (2016-2017). Dr. You is trained in media theory and science and technology studies. Her academic interests are in new and historical materialism, performance philosophy, as well as the history, political theory and philosophy of Eurasia. She completed her PhD studies with Prof. Dr. Pexte Bexte and Prof. Dr. Marie-Luise Angerer at the Academy of Media Arts Cologne in 2019.
Dr. You has worked internationally as a curator. She works with the Silk Road as a figuration for old and new networks and technologies. Under this rubric, she has curated shows and programs at Asian Culture Center in Gwangju, South Korea, Ulaanbaatar International Media Art Festival, Mongolia (2016), Zarya CCA, Vladivostok (2018) and with Binna Choi, she is co-steering a research/curatorial project “Unmapping Eurasia” (2018-). At the same time, her interests in politics around technology and futures led her to work on “actionable speculations”, articulated in the exhibition, workshops and sci-fi-a-thon “Sci-(no)-Fi” at the Academy of the Arts of the World, Cologne (2019), as well as in her function as chair of committee on Media Arts and Technology for the transnational NGO Common Action Forum. She is one of the curators of the 13thShanghai Biennale (2020-2021).
She co-initiated (in 2011) and is committee member of EU-funded project “Transnational Dialogues”, an exchange platform between China, Europe and Brazil. She is a fellow of Alexander von Humboldt Foundation (Bonn), Zentrum Paul Klee (Bern) and Independent Curators International (New York). She is a member of the Academy
of Arts of the World, and serves as director of Arthub and advisor to Institute for Provocation.
Madeleine is also co-director of the "Troubles, Dissidences et Esthétiques" Chair at the Beaux-Arts de Paris and a permanent member of the Scientific Research Council of the ESAD, Reims.
A graduate of Princeton University in cultural studies, Madeleine earned a Master's degree in Media, Art and Creation from HEC Paris and a Master's degree from the École des Hautes Études en Sciences Sociales (EHESS). There she led an arts-based research-action project with Women Safe non-profit, where she now facilitates a theater and creative writing workshop. Madeleine is currently a PhD candidate at the EHESS (CRAL), studying practices for commoning in contemporary performance.
She has been practicing dance and theater since childhood.