The manga Maldito by Francisco Terra and Nicolas Courgeon is made up of different objects: bas-reliefs, carded wool illustrations, clothes, board games...

All these forms shed light on different areas of this fiction in the making and invite us to question the resources and limits of transdisciplinarity in Maldito.

Moreover, the manga Maldito features queer characters, is written in an inclusive way, and its authors want it to be readable by teenagers. What questions does this raise for us?