Clara Schulmann

Clara Schulmann is an art critic.
She has edited several books: "Jeux sérieux. Cinema and contemporary art transform the essay", (HEAD/Mamco, Geneva, 2015), "Palmanova" (Form(e)s, Paris, 2016), "Laura Mulvey, Au-delà du plaisir visuel. Feminism, enigmas, cinephilia" (Mimésis, Paris, 2017). She has contributed to several monographs: "Mike Kelley", Centre Georges Pompidou (2013), "Joachim Koester: Of Spirits and Empty Spaces", SMAK (2014), "Hélène Delprat. The works and the days" (Dilecta, 2017). Several critical articles: "Rien n'est magique", exhibition Marie Angeletti, castillo/corrales, Paris, 2014, "A Girl and a Tree. Time Flies like a Banana", in Next Spring, Wellington (2016), "Crooked", exhibition Valérie Mréjen, Galerie Anne-Sarah Benichou (2016). She has a doctorate in film studies. Her thesis was published in 2014 ("Les Chercheurs d'or. Films d'artistes, Histoires de l'art", Presses du réel). Between 2012 and 2018, she taught history and art theory at the Ecole supérieure des beaux-arts de Bordeaux (Ebabx). She is now in charge of a diploma seminar at the Beaux-Arts de Paris (Ensba).
Her collaboration with Katinka Bock gave birth to several meetings: at the Laboratoires d'Aubervilliers in 2015 and as part of Manifesta (Palermo, 2018). Texts report on these collaborations, including: "Squirrels to the nuts", in Zarba Lonsa, Laboratoires d'Aubervilliers (2015).

Clara Schulmann