Performance

Ewa Dziarnowska, This resting, patience

Thursday 17 Sep 2026 from 7pm to 10pm

Friday 18 Sep 2026 from 7pm to 10pm

8€ (reduced) / 15€

Book

With Festival d'Automne à Paris. The audience can enter and exit at any time during the performance.

© Spyros Rennt

Part ghostly repository of unconsumed sensuality, an installative kinetic fadeout, part somatic (strip)tease, This resting, patience addresses attraction, voluntary objectification, proximity and the aesthetics of bareness.

Over the course of three hours, Ewa Dziarnowska and Leah Marojević, dance solo and in unison across the blue carpet laid out at the heart of the Fondation.

Employing an experimental format, it upsets the passivity of installation and the time-delineation and dramaturgical resolution of performance and steps away from the tradition of viewing dance as an alienated spectacle to instead emphasize its immanent sociability.

In its devotion to the body, This resting, patience proposes sensuousness and dancing as timeless and democratically available technologies of undoing the world and projecting the continuous present into a future that lasts, quintessentially tender, infatuated, attentive.

Credits
By Ewa Dziarnowska, with Leah Marojević
Sound: Krzysztof Bagiński
Sound adaptation  for Échelle Humaine Festival: Michał Chrul
Lighting: Jacqueline Sobiszewski
Costumes, styling: Nico Navarro Rueda, Franziska Acksel
Dramaturgical support: Jette Büchsenschütz
Artistic dialogue: Suvi Kemppainen
Special thanks to Maciej Sado
Co-production: Sophiensaele (Berlin). With the support of the Senate Department for Culture and Social Cohesion and the Capital Cultural Fund (HKF). With the kind support of Tanzfabrik Berlin e.V. and Theaterhaus Berlin Mitte.

Ewa Dziarnowska is a dancer and choreographer based in Berlin.

 Her recent projects — This resting, patience,and A Room With a Better View (Display Gallery x Berlin Art Week) -  reflect her sustained inquiry into improvisation as both method and philosophy. Her practice unfolds in real time, balancing precision and spontaneity while questioning the social and aesthetic frameworks through which dance is produced, witnessed and circulated.

Leah Marojević’s practice spans performance, choreography, teaching, dramaturgy, mentorship and support for other artists.

Choreographic commissions include Pre-Professional Year, Sydney Dance Company (2019), London Contemporary Dance School Graduating Season (2020), Mass Hysteria Collective (2020) and Matilde Cerruti Quara, Jupiter Woods (2020).

Leah collaborates regularly and has worked and performed for visual artists, companies and choreographers; Colette Sadler, Ola Maciejewska, Theo Clinkard, Jefta Van Dinther, Megan Rooney, Ewa Dziarnowska, Paulina Olowska, Emmilou Rößling, Sarah Browne, Sam Williams, Holly Blakey, Candoco Dance Company, Joe Moran among others. In 2019, Leah created Elsewhen Series » in collaboration with choreographer Theo Clinkard, as well as collaborated on the creations of commissioned works for Tanztheater Wuppertal Pina Bausch (2015), Danza Contemporanea de Cuba (2016) ; Candoco Dance Company (2019) among others.
 

Jacqueline Sobiszewski is a visual artist who works with light, video, film and photography.

Born and raised in the Netherlands. She studied at the Cinematography Department of the State Higher School of Film, Television and Theater in Łódź.

Sobiszewski combines various techniques, always looking for a new visual language in various fields of art, while cooperating with directors, musicians, choreographers as well as leading a solo practice . Her work has been shown in NYC, Los Angeles, Sydney, London, Paris, Vienna, Madrid, Lisbon, São Paulo. At the 15th International Small Scene Theater Festival in Rijeka, Croatia, she was awarded for light direction of Medea ( awarded with the Nestroy Preis ) by Grzegorz Jarzyna. She also received a distinction for lighting design at The Divine Comedy International Theater Festival "for creating a coherent landscape in which individuality manifests itself through a powerful emotional charge”.

Michał Chrul is an interdisciplinary conceptual sound prankster based in Berlin.

His body of work spans sound, video, and performance and involves music production, videography, video art scoring, sound design for choreography performances and other practices. Michał is a verified user. He delves into the themes of loss, lost-time-nostalgia and trance-infused pathos. None of his works have yet been described as fictional or speculative. Chrul is a graduate of Acoustics at Adam Mickiewicz University (2015), as well as of Computer Science (2020) at Poznań University of Technology.