Andros Zins-Browne, <i>Already Unmade</i>, 17, 18 et 19 septembre 2018, Lafayette Anticipations, Paris
Andros Zins-Browne, Already Unmade, 17, 18 et 19 septembre 2018, Lafayette Anticipations, Paris © Marc Domage

Over the past decade, Andros Zins-Browne has been developing a hybrid body of work at the intersection of installation, performance and conceptual dance. In each of his pieces, the American choreographer pays particular attention to the nature of the images, how they are produced and how they circulate, how they enter into movement, in both literal and symbolic terms, and how they are deciphered by onlookers. 

In Already Unmade, a piece based on a process of "unlearning", Zins-Browne joins up with other dancers in order to collectively examine each of their personal choreographic histories and deconstruct, little by little, their kinesthetic memories as performers. Already Unmade takes a reverse look at the conventional presentation format of a choreographic work: here the departure point for the dancers is that of a "finished object" which they dissect and modify over the course of a day through a subtle game of repetition.

Ongoing performance
Three slots between : 11am-2pm, 2pm-5pm, 5pm-8pm.

Conceived by: Andros Zins-Browne.
Performed by: Jaime Llopis, Sandy Williams et Andros Zins- Browne.
In coproduction with The Great Indoors (Brussels).

First performed on the 18th of May 2016 at the Villa Empain, Fondation Boghossian in Brussels.
Andros Zins-Browne, <i>Already Unmade</i>, Sept. 17, 18 and 19 2018, Lafayette Anticipations, Paris
Andros Zins-Browne, Already Unmade, Sept. 17, 18 and 19 2018, Lafayette Anticipations, Paris © Marc Domage
Andros Zins-Browne, <i>Already Unmade</i>, Sept. 17, 18 and 19 2018, Lafayette Anticipations, Paris
Andros Zins-Browne, Already Unmade, Sept. 17, 18 and 19 2018, Lafayette Anticipations, Paris © Marc Domage
Initially trained in classical dance at the Joffrey Ballet School, Andros Zins-Browne completed his studies with a degree in semiotics of the arts at Brown University. He moved to Brussels in 2002 where he studied at P.A.R.T.S before joining the Academy Jan van Eyck Program in Maastricht.
Zins-Browne has danced for many contemporary choreographers including Jonathan Burrows, Mette Ingvartsen and Maria Hassabi, as well as visual artist Tino Sehgal. His own choreographic work has been presented at the Centre Pompidou in Paris, Dance Umbrella in London, HAU in Berlin, PACT Zollverein in Essen, the Stedelijk Museum in Amsterdam, as well as at the Fondation Boghossian and the Kaaitheater in Brussels.