Diego Marcon

Born in 1985 in Busto Arsizio, Italy. Lives and works in Italy.
Diego Marcon’s practice primarily focuses on moving image, centred on the investigation of cinematic archetypes in a process combining theoretical and structural approaches to filmmaking, with the sentimental attitudes of popular movie genres.

His works – spanning film, video and installation – often utilise a looped structure to articulate an emotional display that flirts with the pathetic aspects of popular entertainment; and simultaneously draws attention to the media itself. Throughout Marcon’s work, empathy and vulnerability are deployed with intentional ambiguity, such that the instrumental use of their forms and figures constitute a blurred morality. This ambiguity is viewed by Marcon first and foremost as a political weapon of defiance. 

Diego Marcon graduated from IUAV University of Arts of Venice (2012). Marcon has exhibited internationally with solo presentations including ToonsTunes (Four Pathetic Movements), The Shop at Sadie Coles HQ, London (2025); La Gola, Kunsthalle Wien, Vienna (2024); La Gola, Kunstverein in Hamburg (2024); Dolle, Sadie Coles HQ, London, and Galerie Buchholz, Berlin (2023); Have You Checked the Children, Kunsthalle Basel (2023); Glassa, Centro Pecci, Prato (2023); Dramoletti, Fondazione Nicola Trussardi, Teatro Gerolamo, Milan (2023); Monelle, Sadie Coles HQ, London (2023); The Parents' Room, Museo Madre, Naples (2021); and Ludwig, Institute of Contemporary Art Singapore/LASALLE, Singapore (2019). He has exhibited in numerous group exhibitions including Collection Exhibition of Saastamoinen Foundation, EMMA Espoo Museum of Modern Art, Finland (2025); Just Kids, Gammel Strand, Copenhagen (2025); Flowers of Romance Part II, Lodovico Corsini, Brussels (2024); Artificial Optimism, Den Frie, Copenhagen (2024); Retrofuture. Notes for a Collection, MACRO Museum of Contemporary Art of Rome (2024); Nebula, Fondazione In Between Art Film, Complesso dell’Ospedaletto, Venice (2024); Biennale de I’Image en Mouvement 24: A Cosmic Movie Camera, Centre d’Art Contemporian, Genève (2024); After Laughter Comes Tears, MUDAM The Contemporary Art Museum of Luxembourg (2023); Bells, Galerie Buchholz, Cologne (2022); The Milk of Dreams, 59th Biennale Arte, Venice (2022); and Sanguine. Luc Tuymans on Baroque, Fondazione Prada, Milan (2018). Marcon’s films have featured in festivals including Cannes Film Festival’s Directors’ Fortnight; International Film Festival Rotterdam; Vienna International Film Festival; Festival du nouveau cinéma, Montreal; and BFI London Film Festival, among others. 

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