"It comes down to inclusive exhibitions or to sympoietic forms; to us, as the "dilated I" - like the pupils of the eye in love, desire or an hallucinated state. It comes down to exhibition photography in the broadest sense, to appropriation, to painting, to liquid images, to artists and artworks, to the signature, to the address, to goats, to decor, to carnivorous plants."
Extract from "Exhibitions : The Dilated Self, Liquid Images and Carnivorous Plants" Thesis Portfolio, Jagna Ciuchta, 2019.
Jagna Ciuchta lives and works in Paris. Graduated from the Academy of Fine Arts of Poznań, Poland, she recently her practice-based PHD at the University PSL and at the Beaux-Arts de Paris. She has recently exhibited at La Friche la Belle de Mai in Marseille, at the Edouard-Manet Gallery in Gennevilliers, at Moly Sabata, Sablons, at the Micro-onde Art Center, Vélizy (2019), at the Cneai (2017), at the Frac Champagne-Ardenne, at The James Gallery, CUNY, New York, at the Villa du Parc, Annemasse, at Occidental Temporary, Villejuif (2016), and in the Krcsky Forest near Prague (2017). She has conducted residencies at La Fondazione Antonio Ratti, Como, Italy (2011), Residency Unlimited, New York (2013), La Galerie, Centre d'art contemporain de Noisy-le-Sec (2015/2016) and Futura, Prague (2017). Her work is part of private as well as public collections such as the FNAC, the FRAC Île-de-France, or Les Abattoirs (Toulouse).