Work from the Collection

Father Form

Date of creation: 2017
Medium: Sculpture
Materials: Mirror polished steel
Dimensions: 415 x 95 x 95 cm
Collection: Lafayette Anticipations - Fonds de dotation Famille Moulin
Date of acquisition: 2018
Tarik Kiswanson, Father Form, 2017, Collection Fonds de dotation Famille Moulin © DR

Tarik Kiswanson designed this polished steel sculpture for a solo exhibition at the Collège des Bernardins in Paris. The oblong and tapered shape of this large sheet metal mobile responded to the vaulted ceilings and Cistercian architecture of the former sacristy. The artist spent several weeks polishing these metal strips for them to take on the appearance of a mirror and reflect their surroundings. He sought to create a special relationship between the imposing architecture of the sacristy and the body and the gaze of the spectators, who are invited to enter the sculpture and play with the lines of mirrored steel to see their own reflection multiply. This suspended sculpture exerts a strange attraction that owes much to the ambiguity of its form and its title Father Form: at once light and enveloping, it invites us to take refuge in it as if in a cocoon, while its long, tapering metal blades evoke a kind of futuristic cage or prison.

Text written by Marianne Tricoire as part of the partnership between the École du Louvre and Lafayette Anticipations – Fonds de dotation Famille Moulin.


Exhibitions

Nido
Musée Tamayo , Mexico (Mexique)
from 30 Mar to 18 Jun 2023
Tarik Kiswanson, Mirrobody
Carré d'art-Musée d'art contemporain, Nîmes (France)
from 30 Oct 2020 to 26 Sep 2021
As deep as I could remember, as far as I could see
Lafayette Anticipations - Fondation Galeries Lafayette, Paris (France)
from 17 May to 20 May 2018
الزھور لوالدي Flowers for my father
Galerie Carlier | Gebauer, Berlin (Allemagne)
from 16 Sep to 16 Nov 2017

À propos de l'artiste

Tarik Kiswanson

Born in 1986 in Halmstad, Suède

La pratique artistique de Tarik Kiswanson englobe la sculpture, la poésie, la photographie, la performance et la vidéo. Elle dessine les contours d’une politique de l’identité fluide et changeante qui reflète la diversité culturelle, l’exil et le métissage ayant marqué la vie personnelle et le parcours de l’artiste. Habitée par les enjeux de la frontière et de l’entre-deux, son œuvre s’attache à fusionner les traditions orientales et occidentales, l’art et le design, ou encore l’objet et la sculpture pour tenter de s’inscrire dans une forme d’histoire collective.

Né en 1986 à Halmstad (Suède), Tarik Kiswanson est un artiste suédois d’origine palestinienne. Il a étudié au Central Saint Martins College of Art and Design de Londres avant d’être diplômé de l’École nationale supérieure des Beaux-arts de Paris en 2014.