Work from the Collection

AD N°1

Artist: Joe Scanlan
Date of creation: 2006
Domain: Photographies
Medium: Photograph
Materials: Light box
Collection: Lafayette Anticipations - Fonds de dotation Famille Moulin
Date of acquisition: 2013
Joe Scanlan, AD N°1, Photographies, 2006, Collection Fonds de dotation Famille Moulin © DR

With this light box from the Mood Piece series, Joe Scanlan updates the image of the weeping woman in a sober, cold, almost artificial version. In reality, it is a piece of advertising for his work which integrates the notion of commerce, supply, and demand into his practice. It is always through irony that the artist seeks to arouse desire and the notion of profit. In 1999, he designed the miniature sculpture Catalyst, of which this photograph is the advertising image: the artist offers potential buyers a series of transparent acrylic tears intended to be worn as jewellery or make-up on the skin. On the box containing these tears is a sentence that sums up his approach: “Wear Catalyst whenever you want to pretend you have feelings.” This could be seen as a hijacked reference to Man Ray’s photograph Tears (1936), which features a cabaret dancer with tears painted on her face, but Joe Scanlan’s intention is quite different. Through the sale of tears, he proposes that we feign an emotion in order to modify the behaviour of those around us. “Wear one on the subway and someone might give you their seat. Or wear one at a party, just for laughs.”

Text written by Marianne Tricoire as part of the partnership between the École du Louvre and Lafayette Anticipations – Fonds de dotation Famille Moulin.


Exhibitions

Diversification
Galerie Chez Valentin, Paris (France)
from 04 Sep to 03 Oct 2009
Antidote 2
La Galerie des Galeries, Paris (France)
from 27 Oct to 09 Dec 2006
Intouchable, L'idéal Transparence
Villa Arson, Nice (France)
from 01 Jul to 24 Sep 2006

À propos de l'artiste

Joe Scanlan

Born in 1961 in Stoutsville, États-Unis

Joe Scanlan adopte une démarche qui met en avant le rôle et la position de l’artiste au sein de la société capitaliste contemporaine. Dans une vision à la fois ironique et désabusée, il envisage l’art comme une production sur un marché très ciblé au sein duquel ses sculptures et ses écrits théoriques ont une place en tant que produits. Il réalise également des tableaux à partir des débris de bois qui jonchent son atelier et signe ces oe œuvres du nom de son alter ego fictif, l’artiste afro-américaine Donnelle Woolford.



Né en 1961 à Stoutsville, Ohio (États-Unis), Joe Scanlan est diplômé du College of Art and Design de Columbus et du School of the Art Institute de Chicago. Il dirige le département Arts visuels de l’université de Princeton et publie régulièrement des articles dans le magazine ArtForum. Il vit et travaille à New York.